Craig Green pushes a pragmatic take on garment - making and a keen reflection on function through an intensely imaginative vision. Keeping practicality and wearability firmly Moncler Outlet in mind, he devises items that are engaging and suggestive whilst favouring shapes connected to the realms of utility and uniform. Zip - up windbreakers and jackets come in lightweight cotton and nylons.

Hiroshi Fujiwara has got it totally sorted. As he explains down a Zoom in anticipation of the latest chapter of his Fragment (or Frgmt as it is increasingly termed) collaboration with Moncler as part of the Genius jamboree, his IP and creativity lives in the cloud - allowing him to live in serenity. He said: "I changed the way I work more than 10, or maybe even 20 years ago when I decided I would no longer make any Fragment in my office.

As Green said of both garments and setting: "It's about celebrating Moncler's icons and using them as symbols. Here the pieces start out as a flat sheet that is injected with down quilting in a very flat way. There are a series of zips that allow the body to inhabit it and to give volume." The printing presses alluded to the fact that that outlines of the www.monclersoutlets.com bodies in the garments were printed on the outside of them: Green was keen to point out that the commercial collection backstage continued this interplay of body, down, and fabric but in a more easily street - worn manner.

If you are here, you are viewing the look book images for Genius Collection 2: 1952, Menswear, by Sergio Zambon. This was a time - traveling collection expressed in triplicate and based in Los Angeles. Zambon looked at three genres of youth culture - hippy, punk, and preppy - then ran their respectively 1950s, 1960s, and 1970s original references through a post - modern and twisted nostalgic 21st - century filter.